Sunday 22 January 2012

Henry Rollins @ Royal Festival Hall - 20 January 2012

The first time I ever saw Henry Rollins perform one of his infamous spoken word shows was many, many moons ago when I was at university (ahh those were the days!). I managed to talk a couple of mates into seeing him at the Refectory at UCan (University of Canberra) and the ticket said 8pm so we all thought he'd be on around 9pm and accordingly rocked up at 8.40pm only to be told he'd already started - in fact he'd been on for almost 40 minutes!!!


Henry is disciplined and on time - always. I never made this mistake again and every time I've been to see him since I've anally kept to the time on the tickets knowing that Henry would be on only minutes after the stated time. The show at the Royal Festival Hall on Friday night was no different. The ticket said 7.30pm - I was there and seated in my front row seat at 7.20pm and so were the very vast majority of the crowd (ahhh so I'm not Robinson Crusoe!). Henry came on at 7.40pm and didn't leave the stage until around 10.15pm.



Did I say Henry was disciplined? He was on stage for 2 hours and 35 minutes with no break, no toliet stop and not even a drink of water - and this is completely normal and expected of his performances. He is far too busy having a good time taking in our rapt attention to need to concern himself with the normal workings of mere mortals!


Actually he's a complete fucking spoken word machine and I love him! *insert further gushing*


I hear those people who've never seen Henry in action say 'What you just sit and listen to him talk for over two hours?' - well yeah - and it's easily some of the best time I've ever spent.


Over the period of 15/16 years that I've been seeing Henry perform spoken word shows there has (unsurprisingly) been a huge improvement in the quality of his shows - not necessarily in the content - that has always been great - but more in terms of delivery. His shows are now, in a word, seamless and he shifts from one story to another with absolute ease.


His first story tonight delves into the vintage period surrounding his involvement with Black Flag in the early 80s - it's his 'Get In the Van' period. You would have thought by now that I'd have heard all his GITV anecdotes but the two pearlers he brings out tonight have not been heard - at least by me. The first involves the somewhat tragic story of woman literally losing an eye in a Black Flag mosh in New York after being landed upon by a huge hairy behemoth of a man who thought a stage dive mid-set would be a good idea - ahhh slightly hardcore - yeah?


The second GITV parable is set during Black Flag's European tour in the mid-80s in Sweden where the entire audience at a gig are all skin-heads but for a number of out of place 'long hairs' at the front. The 'long hairs' are later introduced to the members of Black Flag backstage as a band in their own right and little note is taken of them until some years later when Henry recalls the meeting and the name of band - Metallica. Gold!!



After a hilarious story about scaring the bejesus out of Dennis Hopper outside a Santa Monica gallery, we leap like a gazelle from the GITV era into something a bit more recent as Henry recounts a visit to the bulk-buy jungle that is CostCo with his assistant Heidi ('the Demon') to undertake the innocuous task of buying a ladder and bizarrely, a copy of George Dubya's biography - Decision Point (no really that's what it's called!). Now I don't know if many people have actually been into a CostCo, but it is a fairly scary place in terms of the sheer physical tonnage of food and alcohol and it fits right into the psyche of American excess (to be fair on my one and only visit to a CostCo I found it VERY hard to walk past a 2kg bag of Reese's Peanut Butter Cups - but I did keep walking!). It's a retail journey many people make everyday, but it seems to epitomise the attitude held by those making up the common denominator (with the help of some megacorporations). It's real and scary, but not without hope. 



Henry then moves on to some of the more interesting things he has participated in since his last visit to the UK - the most important and entertaining of which have occurred as part of his role filming and narrating National Geographic documentaries detailing the more bizarre connections between humans and animals.

I'm not sure if many people are aware but Henry is an avid serpent fan and actually keeps snakes himself at home so it's no surprise to me that his two NatGeo related stories involve humans interacting with snakes in various unique ways. The first story finds us in India in an interesting and slightly neanderthal 'bro-down' with some local snake catchers who actually undertake a huge service for their community by catching and milking the venom of some of the world's most dangerous snakes to provide the locals with anti-venom where a hospital is far too far away to assist anyone who gets bitten.

There is much successful hunting and milking of snakes which is then celebrated with a dinner of field-roasted rat liver - I shit you not! 

The second tale switches to the deep south in the US where a small number of Pentecostal churches engage in 'serpent handling' as a religious ritual. The deal apparently is that if you 'believe' then you won't get bitten. I'm not myself convinced and neither was Henry when he made a pre-ritual visit to the Pastor and found his house chock full of rattlesnakes and Cottonmouths who were chock full of venom and ready to party snake style!

Henry attends the ritual faithfully reporting that no-one is bitten and that the whole night's activities are undertaken to a 3 hour soundtrack provided by the Pastor blues-wailing on his gold-top Gibson Les Paul - TESTIFY!!! - maybe I've got the Pentecostal faithful wrong?  Take out the snakes and it sounds like a good night!!



Henry is a major traveller and his further anecdotes relate to his trips through India, North Korea, Vietnam, Tibet and Haiti. An interesting list of places with plenty of interesting stories. I won't go into the full details of each story but some of the highlights include:

- the very long list of items which you cannot take on a flight in India which range from acid to bolt-cutters and brassknuckles (a new Henry salutation), chilly (yes spelt this way!), spices and sabres;

- using all his willpower to overcome his ADD and not run down the travelator visiting the mausoleum containing the in-state body of former North Korean leader Kim Il-Sung;

- his guide, Mr Ka's, hilarious and inappropriate payout of John McCain at the Hanoi Hilton;

- his description of Tibet as a beautifully tragic place where he greets any monk on a cell phone or scooter with delight; and

- his attempts to overcome the 'no soap, no dignity' situation in Haiti by delivering hundreds of 8 cent bars of soap and soccer balls.

Henry is always pretty much preaching to the converted at his shows, but his insistence that we can do better as humans and that we need to get out and see the world (the 'knowledge without milage equals bullshit' edict) always permeates all his spoken word performances. He says what he means, and he means what he says - we desperately need more adults in the world like Henry Rollins.

He's 50 years old and I don't know anyone more punk than Hank - he simply makes me want to go!









Sunday 15 January 2012

Ani Di Franco @ Union Chapel - 10 & 11 January 2012

So I have decided to blog my way though my gigs of 2012, This is more for my own benefit than anything else - I'm using it as part of a new exercise regime which includes both my body and my mind.


My first gigs of 2012 occur a mere one day after my arrival back into the UK from Australia. I am jetlagging like a bitch but nothing is going to stop me from heading to my favourite London venue, the Union Chapel ('the UC'), for two nights of acoustic greatness from one of my high musical priestesses - Ani DiFranco.


Put simply, this chick rocks. Not only is she an amazing songwriter and guitar player, she also owns and runs her own record label, Righteous Babe Records, making her (as she says in her own words) the 'Queen of her own compost heap'.


Ani is flying solo on this visit to the UK without her usual touring partners in crime, Todd Sickafoose and Allison Miller. One gal and a guitar - sounds just about perfect to me.


Now I'm no expert, but in my humble opinion the acoustics in the UC are really second to none in London. I defy even the Royal Albert Hall to produce better sound. What I love about the UC other than the sound is its intimacy - it is designed for up close and personal shows and there is almost an unspoken requirement that you be good enough as a performer to deliver a high quality performance because if you make a mistake there is nowhere to hide. Everyone can hear everything  in this room - from a performer's lost chord or flubbed lyric to an audience member dropping their cup of tea (another hugely endearing part of a UC gig). This thing is, if you are good enough, the UC can take you and your audience to a higher plain and damn it I was ready to get high!


Both nights begin with English singer-songwriter Ruth Theodore opening up proceedings. She is a barefoot guitarist with a pixie look and Juliana Hatfield-like voice. Her tunes are lengthy poems which, whilst not up my alley, are well received by the Ani faithful.


Night 1 begins with Ani's anthemic 'Little Plastic Castles' which sufficiently rouses the crowd from their cold pews. She then proceeds  with a casual stroll into the her past catalog pulling out gems like 'As Is, 'Swan Dive' and 'Rain Check'. These tracks are interspersed with more recent tracks (such as 'Marrow') and tracks from her new album 'Which Side Are you On?'. The new album isn't officially released until next week but as Ani is her own CEO and doesn't give a hairy rat's ass about the 'charts', the album is made available to those attending these shows and I of course nabbed myself a copy to maintain my continued support of this gifted, independent artist.



The main set contained a good seven tracks form the new album including title track 'Which Side Are You On?' (an updated protest song), 'Albacore' (a wedding song for Ani's bethrothed), 'J', 'Lifeboat', 'Unworry', 'If Yr Not' and 'Mariachi'.


As usual Ani's straightforward and to the point lyrics pack a punch and win over the audience - my personal favourite being:


"If Yr Not, If Yr Not, If Yr Not getting happier as you grow older then yr fuckin up"


- good point, well made.


A highlight of NIght 1 comes with Ani asking the audience for comments or suggestions - cue many people screaming out various song titles while Ani attempts to translate. One request from the balcony in particular catches Ani's attention on the basis  that she cannot make out what is being requested at all. It is an old gem - 'Overlap'. Ani says she would need help to attempt it and the confident audience member offers assistance and ends up providing the same on stage via both guitar and vocal - it's a spontaneous, fun moment AND most importantly it sounds good.



Another bright spot for me was Ani's cover of Woody Guthrie's song 'Do Re Mi'. It is the mark of a good song to sound so good and fresh 50 years after it was written.


Night 1 ends with two Ani classics - 'Gravel' and one of my all time favourites '32 Flavors' - beat these opening lyrics:


"Squint your eyes and look closer
I'm not between you and your ambition
I am a poster girl with no poster
I am thirty-two flavors and then some
and I'm beyond your peripheral vision
so you might want to turn your head
cause someday you're going to get hungry
and eat most of the words you just said"


My only disappointment for the night is that my favourite Ani album (Reprieve) is not represented in the set, but as I have another Ani gig the next night I am not too concerned.

I rock up the next night looking forward to a varied setlist and a better seat. Last night my vantage point was in the balcony, however tonight (thanks to the excellent line up skills of my gig companion Jeff) I have a great spot about five pews from the front.

Ani again starts out with some classics - 'I'm Not Angry', 'Manhole', '78%H2O' (yay Reprieve tune!!) and her indi-chick diatribe 'Napoleon'. The crowd is louder and livelier than last night and is raucous in its approval of said tracks.

A magnificent version of 'The Atom' from Red Letter Days follows new song 'Splinter'. There is rapt attention from everyone in the room - it's real, it's poignant - it's classic Ani.

After a few more "crusty old ones" ('Everest' & 'You Had Time'), Ani again asks for requests and I hit the jackpot tonight as she changes guitars and heads full steam into 'Untouchable Face' - one of the most underrated unrequited love songs ever in my opinion - RESULT!!

A further highlight is Ani's spoken word piece - an untitled work in progress I will call ' The River's Source'. Ani asks the building (being religious in origin and standing since 1806) to pardon her as he has a few thoughts about religion and then begins. Her poem covers many concepts found in Ani's work - the fight against patriarchy, a women's inner power and the need to question what is going on around you. It's just further evidence to me that Ani is a 'high watermark' lyricist.



A few new songs ('Mariachi', 'Zoo', 'Which Side Are You On?' and 'Albacore' - which Ani says is made to be played in a room like this) finish off the main set and Ani returns for a brief encore of two classics - 'Both Hands' and 'Shameless'.

With just her songs and her guitar Ani is the same paragon of inspiration she has been to me for many years. I have thoroughly enjoyed these shows and look forward to seeing her again  - guitar in hand and heart on sleeve.